If electronic paper displays have one downside, it’s generally refresh rate. Earlier versions of the tech might only have been able to do single-digit frames per second, while modern, mid-range devices can sometimes manage 10-20 FPS — and that’s not including the frames needed to blank the display. Getting up past that double-digit barrier typically requires higher-end displays, more powerful processors or FPGAs, and more money. On the other hand, [Tony] was recently able to get 20 FPS out of an ESP32-based device without using any extra processing power.

The key to improving e-paper performance is understanding how the display actually works. The “ink” consists of microscopic charged pigment particles that physically move in response to electric fields, making the display much slower than LCD or OLED panels. Rather than fully erasing and redrawing every frame, the software takes advantage of the particles’ existing state by generating optimized driving waveforms that only move the particles needed to produce the next image. On the software side, an MPEG-like encoding is used so only changes between frames are transmitted and converted into these waveforms, reducing unnecessary data transfers and allowing much higher frame rates.

Tony’s method is able to drive 960×540 panels, like those found in the Lilygo or M5PaperS3, to 20 FPS, and these platforms are based on nothing more than the capable but limited ESP32 chip. It’s an impressive push, and worth checking out the video in the linked project page. We assume you’d need a little more to drive something like the massive e-paper display found in this home automation setup, though.

Computer-generated imagery (CGI) has largely replaced physical models in major film productions these days, but the transition didn’t exactly happen overnight. For a time there was an effort to blend the physical and digital, which allowed animators on productions such as Jurassic Park to work with newer technology in a way they were familiar with. [Corridor Crew] took this concept a step further by manipulating digital models with nothing but a webcam.

Early in the production of CGI, animators found a purely digital workflow to be less intuitive than the use of physical elements such as puppets. Feeling the weight and touch of a miniature with joints and limbs made for a more natural animation, so they created the dinosaur input device to map movements of a physical model into a digital recreation.

Unfortunately for the future of dinosaurs made of motion sensors, none of these devices really caught on and the technology is essentially non-existent today. [Corridor Crew] decided to give the concept another chance with the application of newer motion capture research. Using just a camera and a small human miniature allowed for full animations to be made using one’s own hands. The motion capture plugin can be found here if you want to try it for yourself!

At the end of the day, the need for a stop motion intermediate was found to be unnecessary. That being said, there is some really cool tech discovered throughout its history. If you want to discover even more film tech, maybe try out an adventure making your own film camera!