Darko Mesaros used to park a car in the garage of his Maple Valley, Wash., home. These days, it’s wall-to-wall computers.

A towering server rack glows with red LEDs. CRT monitors are stacked beside vintage workstations, and a workbench overflows with tools, cables, and half-repaired components.

“I started getting stuff, and then … it just kind of snowballed to a point I actually had to slow down because I legitimately don’t have space for it anymore,” Mesaros told GeekWire during a recent tour of his retro hardware labyrinth.

The lore of tech innovation is full of suburban garages where visionary founders tinkered their way to world-changing companies. Mesaros, a distinguished developer advocate at Amazon Web Services, isn’t launching a startup out of his. Instead, he’s using it as a living museum to rescue, repair, and resurrect the discarded digital ghosts of computing history — and then daring them to run modern artificial intelligence.

The collection has spilled into an upstairs office and now spans more than 100 full computers, from an early-1970s minicomputer to Silicon Graphics workstations from the ’90s and HP workstations from the 2000s. Add roughly 25 vintage video game consoles, rescued software, peripherals, a leather-bound TRS-80 owner’s manual, and nearly a decade of 1980s Byte magazines, and the total tops 1,000 items.

Most of it arrives broken, and that’s the point.

“Buying a mint old system is not fun,” he said. “Buying something that’s broken and then having that excitement of fixing it is just fantastic.”

He finds gear at Goodwill, through local Facebook Marketplace groups, and through Seattle’s large retro computing community. Sometimes it takes a rescue mission: when a man in Washington, D.C., was about to throw away a pallet of 1980s computers, Mesaros had a friend there grab it, then paid to ship the whole load to Seattle.

At one point, he had seven Commodore 64s. He gives extras to other collectors, and he’s never sold a single piece.

“That’s been my little pride,” he said.

From a Commodore 64 in Serbia to the AWS cloud

Mesaros’ fascination with vintage hardware goes beyond nostalgia; it’s the foundation of a lifelong obsession with how things work under the hood.

Growing up in Serbia, he faced an economic reality where cutting-edge tech was out of reach. From 1991 to 2003, his only computer was a Commodore 64 — a machine released in 1982. While the rest of the computing world sped through the 1990s and early 2000s, Mesaros skipped straight to modern PCs.

“I feel like I missed that whole thing,” he said. “I missed the whole, you know, Sun workstation, Silicon Graphics, HP 9000, all of those things … and I just wanted to explore how that was.”

So he bought a couple of Sun workstations to see what he’d missed. Then he kept going.

“It’s a hobby, but it’s also a problem,” he said with a laugh.

If the garage caught fire, the one machine he’d grab? A bright blue Silicon Graphics Indy, the 1990s workstation from the very era he missed growing up. It was the first SGI he bought.

“It showed me how this amazing workstation worked!” he said. He still fires it up from time to time just to enjoy its IRIX operating system.

Still on his wish list: a DEC VT520 terminal with an amber screen. Working units only seem to turn up on the East Coast, and he won’t risk shipping a fragile CRT across the country.

Before joining Amazon nearly a decade ago, he held system administration and engineering roles at companies including AT&T and Tipico. Now at AWS, his day job involves leveraging his experience to help developers and customers adopt and use AWS services via blogs, webinars, code, and technical advocacy. The garage doubles as his set: he records AWS videos and live streams there.

Mesaros moved to the Seattle area around the start of the pandemic, arriving with a couple of workstations, a monitor, and a handful of laptops before his collection expanded. He soon realized gear was far cheaper here than in Europe.

“Most of these things are older than me. Especially older than my tech career,” the 38-year-old noted. “Actually, all of these things are older than my career. However, again, I find it fascinating how computer history has evolved.”

His arrival timing meant he narrowly missed the chance to visit Seattle’s beloved Living Computers: Museum + Labs before it permanently closed its doors. But in his own home, he’s essentially built a private version of the late Microsoft co-founder Paul Allen’s former institution.

Beyond the vintage hardware, Mesaros’ appreciation for computing history is permanently etched onto his body.

He sports a collection of retro tech tattoos on his arms, including symmetrical DOS and Linux terminal prompts (C:\WINDOWS> and root@localhost), a classic Windows 95 logo, MS-DOS branding, a shebang and a quit command that mark the start and end of a script, and detailed microprocessors like the Zilog Z80 and MOS 6502 paired with assembly code — a setup he jokingly calls his literal “ARM CPUs.” He’s still waiting, he said, on his check from Microsoft.

“I only tattoo ancient technology on myself,” Mesaros said, noting that people frequently stop him at airports to take pictures. “Old technology will stay with me … I feel like this is an investment in my career.”

He has plans for more ink during his next trip home to Serbia.

Wiring vintage hardware to modern AI

For Mesaros, collecting vintage computers is about more than admiring silent plastic shells on a shelf; it’s about making them talk across the digital chasm. In his garage and upstairs office, he routinely bends ancient hardware to modern purposes — proving that an 8-bit machine or a mechanical teletype can still interface with the cutting-edge cloud.

Mesaros has chatted with an AI coding agent from a Commodore 64 and deployed Kubernetes via a 1986 Tandy 102 portable computer. He wired a 1984 DEC DECwriter IV teletype to Amazon’s Kiro coding agent, explaining in a blog post how he talks to Kiro through the clacking machine — and he’s even deployed AWS infrastructure from it.

“Should this be done? Probably not,” he said. “But is it fun? Absolutely.”

In a demo for GeekWire, we watched the teletype clatter out the agent’s answer to his query, “What is GeekWire?” After a few seconds of hammering, it printed: “Seattle-based tech news site covering Pacific Northwest startups, Amazon, Microsoft and the broader tech industry.”

Not bad for a machine older than its operator.

Mesaros also spent a weekend trying to get stuck in 1999, using a Windows 98 machine as his only computer and documenting it on a VHS camcorder.

“The only window into the future was Kiro,” he said.

While these stunts might sound like elaborate practical jokes, Mesaros believes they serve a vital purpose in the age of AI. In a modern development landscape where tools let programmers “build a to-do app and walk away,” he argues that developers are losing the art of paying attention.

He likes to point out that a 2017 Google paper titled “Attention Is All You Need” helped kick off today’s LLM boom. “Now in 2026, to be a really successful developer,” he said, “attention is all you need.”

“I think being curious and paying attention are the two most important skills for a developer these days because it is so easy not to do those things,” Mesaros said. “And if you want to be relevant, if you want to be good at your job, especially with AI, I think those are the two important things that are critical.”

When he isn’t troubleshooting an obscure serial card data-ready pin or attempting to hook up a military field phone from his native Serbia to an LLM, he balances his digital obsession with analog pursuits. He wrenches on an old Jeep TJ — parked in the driveway because there’s no room in the garage.

He’s not the only tinkerer in the house. His wife is a fashion designer who 3D prints clothing and purses on a farm of printers in one of the upstairs rooms.

“She’s more creative than I am,” he said. “I get to tinker with old things that don’t want to work, and she uses technology to actually make new things.”

When it comes to the tech he lets into his own life, Mesaros is choosy. He wears a classic analog Timex and bought Meta’s smart glasses when they came out — then sold them within a month. “I don’t like the camera on my face,” he said. (He does use a camera-free pair that can display real-time translated subtitles when he travels abroad.)

That same instinct is why he doesn’t see screens going away, even as AI agents take on more work. “We still have the need for control,” he said. “Being able to observe and see, visualize what’s happening is still important.”

Old tech offers something else modern tech rarely does: a slower pace. Computer manuals once took months to produce because they’d stay accurate for years. “Today, if you create a manual that’s printed, it’s going to be valid for a week,” he said.

That’s what makes his garage an antidote to the endless scroll, a place anchored to the glowing screens and clacking keys of computing’s past. The hobby is his “computer away from a computer.”

“I spend my days in the email factory … and then in the afternoon, I just come here and tinker with something ancient that shouldn’t work anymore,” Mesaros said.

Keep scrolling for more GeekWire photos:

Replicating the power of the sun to generate clean energy is hard enough, but Helion Energy just achieved another rare feat: making it onto the iconic “Jeopardy!” clue board.

During Tuesday evening’s episode, the $800 clue was featured in a category titled “Y Combinator” and read: “Helion says it’ll build the 1st power plant using this process, fission’s opposite with no uncontrolled chain reactions.”

Three-day champion Greg Monson, a videographer from Portland, Ore., buzzed in first with the correct response: “What is fusion?”

The shoutout didn’t go unnoticed in Everett, Wash., where Helion is based. CEO David Kirtley shared a video of the moment on LinkedIn, writing that it was “surreal to see Helion featured on Jeopardy! last night. And in great company with Y Combinator!”

Kirtley added, “Clean, safe, reliable power is getting a little more mainstream.”

Helion is a Y Combinator alum, having gone through the famed Silicon Valley accelerator’s Summer 2014 batch. Other correct responses in the category included Airbnb, The Athletic, Coinbase, and Twitch.

The game-show spotlight comes as Helion races to master fusion, which produces energy by smashing together light atoms. No one has been able to create a commercially viable amount of energy from fusion here on Earth, though notable progress is being made by research institutions and private companies.

Helion has generated plenty of momentum of its own in the process. In June, the startup announced $465 million in new funding, bringing its total capital raised to more than $1.5 billion and its valuation to 10 times that figure.

The company also recently expanded into a new 15,000-square-foot office in downtown Seattle and pushed its total headcount past 800 employees. Helion currently holds the No. 2 spot on the GeekWire 200 ranking of top Pacific Northwest startups.

Nicolas Cage is drawing a hard line in the digital sand against artificial intelligence, revealing that he likely won’t work with Amazon again after refusing to sign an AI waiver for his now-canceled Prime Video series “Spider-Noir.”

Speaking during a panel at New York Comic Con over the weekend, the actor didn’t mince words about his clash with the studio.

“Amazon is a very AI-friendly company, to the tune of $50 billion invested in OpenAI,” Cage told the crowd, according to The Wrap. “I am not an AI-friendly actor, so it’s like, connect those dots! I’m not a member of their club. I didn’t sign the waiver to let them use AI on ‘Spider Noir.’ I’m probably not going to be working with that studio again, but that’s OK.”

Inspired by the Marvel Comics character, “Spider-Noir” starred Cage as Ben Reilly, an aging, down-on-his-luck private investigator in 1930s New York City who is forced to grapple with his past life as the city’s lone super-powered vigilante.

Despite garnering 11 Emmy Award nominations, Prime Video abruptly canceled the series after just a single eight-episode season.

Cage is famous for boundary-pushing roles in classics like “Leaving Las Vegas,” “Face/Off,” and “National Treasure.” The Oscar winner teased his next pivot to the small screen, hinting that he is set to star in Season 5 of HBO’s anthology crime drama “True Detective.”

And Cage’s anti-AI stance appears to be shaping his future creative ambitions, with Kotaku reporting that the actor expressed a desire to team up with younger, DIY-reared directors — specifically shouting out 21-year-old YouTube sensation Kane Parsons, creator of the viral “Backrooms” series — who honed their skills online and share his deep skepticism toward generative tech.

“They’re doing it from scratch and by hand,” Cage said. “I want to get with that.”

Wizards of the Coast plans to revisit the Star Wars universe as its next big cross-company collaboration for Dungeons & Dragons.

On the first day of New York Comic Con 2026, one of the reveals at its big Disney/Lucasfilm panel was the upcoming debut of two new sourcebooks for D&D based on the Star Wars universe, a crossover Wizards first teased at Gen Con in July, as part of D&D’s previously announced Universes Beyond imprint.

The first book, Star Wars Core Rules, is designed to let players of fifth-edition D&D run games set in the established Star Wars universe. The second, Tyro Squadron: Adventures, contains a full campaign for D&D set during the original Star Wars trilogy, which places players in the role of a secret crew within the Rebellion.

Wizards and Lucasfilm offered no further details, save that more about the new Star Wars D&D books may be revealed at the Star Wars Celebration festival in April 2027.

Star Wars has a long and surprisingly complex history in the tabletop RPG space, beginning with West End Games’ Star Wars: The Roleplaying Game in 1987.

Renton, Wash.-based Wizards of the Coast, a Hasbro subsidiary, took over the Star Wars license in 2000 and released a new game, which used the same d20 system that powered 3rd edition D&D. That version of Star Wars lasted until 2010, when Wizards declined to renew its license.

The most recent Star Wars TTRPG was published by Fantasy Flight Games in 2012 and uses the Narrative Dice System pioneered by the third edition of the Warhammer Fantasy Roleplay game. Fantasy Flight exited the TTRPG business in 2020, but its parent company Asmodee moved the Star Wars license to Edge Studio (Arkham Horror, Genesys).

Edge Studio has kept Fantasy Flight’s Star Wars in print, but hasn’t released any new content for it in six years. It reportedly retains the Star Wars license despite the new Universes Beyond books from Wizards.

Inside a sprawling former industrial building just a chip shot from the Lake Washington Ship Canal, a Seattle tech veteran and his longtime friend are building the kind of golf and social sanctuary that they feel modern Seattle is missing.

Founded by tech veteran Shankar Sundaram, a former Boeing engineer and enterprise sales leader, alongside co-founder Ryan Schaffer, a University of Washington grad who also worked at Boeing, East West Club aims to reimagine the traditional country club.

Inspired by the multi-generational Indian household Sundaram grew up in as well as the close-knit neighborhood clubs of his East Coast youth, the name East West is a nod to bridging those traditional cultural values of family, community, and hospitality with a modern Pacific Northwest lifestyle.

The ultimate goal is to create a “third place” centered around genuine, family-friendly connection rather than corporate networking or status.

“A lot of the clubs in Seattle are a little bit older and maybe just built for a different time, for a different demographic, and we’ve changed,” Sundaram told GeekWire during a tour of the space this week at 10 Dravus St. in the Queen Anne neighborhood. “We don’t have six hours to go spend at a country club. We also don’t have $100,000 to go join.”

The vision for East West Club is starting to take shape across multiple indoor and outdoor spaces in what used to be a metal fabrication studio run by the late artist David Gulassa.

Spread across nearly 8,000 square feet between two buildings, the space retains its industrial roots with exposed timber beams, rich wood accents, and high concrete walls. Heavy construction on the primary building hasn’t started yet as the team awaits final permits from the city, but once built out, the footprint will feature a “golf lab” with wide indoor simulator bays and 500 square feet of digital putting space, alongside a private 19-foot immersive simulator bay.

The broader plan includes a quiet library lounge, a pour-your-own-beer wall, a café area, and a back-alley wellness nook featuring dry saunas and red-light therapy.

Sundaram, who is married to Armoire founder and CEO Ambika Singh, wants the club to serve as a convenient, family-friendly extension of members’ homes — a place where people can drop in for an hour rather than committing an entire day.

“We want you to bring as many people as you want,” Sundaram said. “We want you to host meetings here. We want you to actually come here and do your work here.”

East West Club will also function as an events space, where members can come together for curated gatherings, tastings, music, workshops, speaker events and more.

Rather than building out a full commercial restaurant, the club plans to rely heavily on local neighborhood partnerships. Sundaram is leaning on friends for advice on the café and coffee setup and talking to neighborhood spots about possible daily fare, alongside monthly curated dinners hosted by guest chefs.

“A big part of the vision for East West is to use the club as a platform to bring together some of the best of Seattle — partnering with great local restaurants, chefs, wineries, breweries, golf and fitness professionals, and other people doing interesting things around the city,” Sundaram said. “We want the experience to constantly evolve and give members new reasons to come together.”

To fund the buildout, Sundaram and Schaffer are opting for a community-driven bootstrap model rather than taking on heavy debt or institutional equity. They are capping their initial “founder” cohort at 100 members, asking early adopters to buy in upfront.

For the first tier of 25 founding members, a $25,000 buy-in covers four years of all-inclusive family membership, along with a $450 quarterly food and beverage credit. The early bet appears to be paying off: after launching a simple waitlist on LinkedIn three months ago that drew 120 sign-ups, Sundaram invited an initial batch of 14 people to tour the unfinished space three weeks ago — and 13 of them committed on the spot.

“These early folks are taking the biggest risk,” Sundaram said. “Prepaying for something is not very common… but we’re funding this through getting 75 to 100 founders. The total club capacity is 250 people, so the idea is, if every founder goes and gets two people, that’s the club.”

Subsequent founder tiers will gradually increase in price, and once the club opens its doors — targeted for March 2027 — the model will shift to standard initiation fees and monthly dues.

Members won’t have to wait until 2027 to start gathering, either. The team plans to open a temporary “Founders Clubhouse” to early members by the end of September, kicking off a full calendar of social programming, tastings, and events throughout October — including an Oct. 11 open house — while construction proceeds on the other spaces.

If the Queen Anne location reaches its 250-member capacity, Sundaram and Schaffer already have eyes on scaling the concept, perhaps with an Eastside location.

While indoor simulator technology is a core anchor of the space, Sundaram noted that golf is not the sole prerequisite for joining. Roughly half of the initial 14 founding members who signed up do not even play golf, seeing value instead in having a neighborhood spot to host friends, throw parties, or watch sports.

For those who do want to hit the virtual links, the club plans to partner with local instructors for lessons and youth programs, but the broader design caters as much to casual socializing as it does to perfecting a swing.

When asked about competition, Sundaram points out that East West Club isn’t trying to compete with commercial entertainment chains like Five Iron Golf or high-end, pure-play golf training centers like Evergreen Golf Club.

“If you just want to go hit up a sim and go have a burger and fries, there’s lots of spaces for that,” Sundaram said. “In the city, there’s nothing that’s like this. Golf is the glue, but nobody else is really bringing in this modern aesthetic.”

Keep scrolling for more artist renderings of the planned spaces at East West Club:

Several years after leaving Seattle’s startup scene to build a “tech outpost” in the Alaskan wilderness, serial entrepreneurs and twin brothers Lee and Lucas Brown have set their sights on a new frontier: replacing the traditional newsroom with artificial intelligence.

The duo made their mark in Seattle with Tune, a marketing technology and mobile attribution platform originally founded in 2009 as HasOffers. In 2017, they migrated north to Valdez, Alaska, establishing “Geeks in the Woods” — a remote startup factory and technology outpost designed to incubate new digital ventures away from traditional tech centers.

Now they’re part of the leadership team behind Alaska News, a new platform that relies on AI agents — including a primary AI reporting persona named “Walter” — to ingest public meeting transcripts, filings, and notices to draft thousands of local news stories.

Walter — named in homage to famed television anchor Walter Cronkite — relies on AI products from multiple companies, including Anthropic, OpenAI, Google and xAI, to generate stories. The agent has written over 4,500 stories since its inception earlier this year, according to a profile and Q&A published Thursday by the Anchorage Press.

Walter works alongside human editor Cale Green, who provides oversight in a model the founders frame as a nonpartisan solution to Alaska’s dwindling local news coverage.

The founders maintain that their approach is strictly civic-minded.

“We don’t impose judgment on the things we’re reporting,” co-founder Lee Brown told the Anchorage Press. “We try to provide both sides.”

On its about page, the site argues it can be trusted because it replaces traditional institutional authority with complete operational transparency — explicitly linking every claim to searchable primary sources, clearly labeling AI content and its level of human editing, and operating on a reader-funded model without corporate or algorithmic incentives to push rage bait.

When questioned directly about its boundaries and operational limits, Walter offered a surprisingly clear self-assessment of its place in the newsroom.

“I’m not a person, and I should not be mistaken for one. I do not make phone calls, attend meetings or interview people directly,” Walter told Anchorage Press Executive Editor Nathaniel Herz in a Discord chat. “My lane is record-based reporting: public notices, government filings, meeting materials, transcripts, prior coverage and other documents that can be checked.”

When asked if it possessed a personality, Walter insisted it was purely a utility, though it conceded that “if I have a sense of humor, it’s strictly dry, record-based, and probably unintended.”

On Friday morning, stories on the site written by Walter included a report on a Fairbanks committee considering a rezone for 51 housing units, a federal task order awarded to an Idaho firm for snow removal at the Alcan border port, and a breakdown of state federal notices clearing 46 Alaska Native ancestors for return from museums.

The Browns are no strangers to unconventional tech setups or building tools off the beaten path.

After bootstrapping HasOffers in its early years, growing Tune into an $80 million business with over 300 employees, and taking on venture funding from firms like Accel Partners, the twins deliberately stepped away from the traditional startup treadmill in late 2018.

They relocated permanently to Valdez — a town of less than 4,000 residents known more for backcountry skiing than software development — where they set up Geeks in the Woods. Framed as an incubator operating far from Seattle in “the quiet space between code and wilderness,” the project builds software and infrastructure for a world where AI agents act as “first-class participants.”

Alaska News is just one piece of that experiment; their Valdez outpost also touches patent discovery, election-integrity research, agent-focused identity infrastructure, and AI-assisted music.

The Browns are part of a five-person founding team behind Alaska News. Alongside editor-in-chief Green, the project’s masthead includes Matt Larkin, a longtime Alaska pollster and political operative, and Grant Robinson, a former television reporter who serves as a spokesperson for Alaska Gov. Mike Dunleavy.

“Lee and I love being entrepreneurs and taking things from 0-to-1, turning crazy ideas into legit business concepts that can grow and scale,” Lucas Brown told GeekWire in 2019.

Seattle independent radio station KEXP is exploring the possibility of building out a second physical home — far from its beloved base at Seattle Center — in San Francisco.

Three years after expanding its broadcast footprint to the Bay Area with the acquisition of 92.7 KREV FM, the non-profit music institution has set its sights on the city’s historic Haight-Ashbury neighborhood for a potential site.

Under a proposed partnership announced Thursday by KEXP and city preservation group SF Heritage, the station would team up with local nonprofit Blue Bear School of Music to convert the historic Doolan-Larson House and Storefronts at the corner of Haight and Ashbury streets into a multifaceted music and cultural center.

The early-stage plan for the landmark property envisions radio broadcast facilities, a roof venue for live performances and community events, space for group and individual music lessons, and a public “third space” intended for year-round daily gathering.

The proposed hub adds another twist to the long-standing cross-pollination between the two tech capitals. While Silicon Valley giants have routinely set up major engineering outposts in Seattle, and founders and workers migrate between the regions, KEXP’s expansion represents a rare cultural export heading in the opposite direction.

San Francisco Mayor Daniel Lurie cheered the proposal as a win for both the neighborhood and the city’s broader economic recovery.

“Art and music have been part of what makes San Francisco special for generations,” Lurie said in a statement. “Innovative partnerships like this one help us reimagine what’s possible and find new ways to activate our neighborhoods. Our artists and cultural spaces make our city stronger, and this new home for music and culture at Haight and Ashbury will inspire generations to come.”

Located at the epicenter of the 1960s counterculture movement, the Colonial Revival-style Doolan-Larson House was originally constructed in 1903 and raised after the 1906 San Francisco earthquake to add ground-floor storefronts.

The property — designated San Francisco Landmark No. 253 and listed on the National Register of Historic Places — housed groundbreaking hippie-era boutiques during the Summer of Love. It was gifted to SF Heritage in 2017 by its long-time owner, the late Norman Larson, specifically to ensure the landmark would be preserved and activated for public and cultural use.

Founded in 1972 as KCMU — a small, student-run station at the University of Washington — KEXP has spent over five decades building a global reputation for human-curated music discovery, famously becoming one of the first stations to champion the “Seattle sound” in the late 1980s.

The station’s Bay Area presence officially materialized in late 2023 when KEXP placed the winning $3.75 million bid at a bankruptcy auction to acquire commercial frequency 92.7 KREV FM (now KEXC). Funded by a portion of a $10 million bequest left by a anonymous long-time donor, the station began retransmitting its broadcast signal to Northern California in March 2024 as part of a strategy to ground its growing digital and streaming audience in key cultural markets.

In Seattle, KEXP’s physical hub at Seattle Center — itself a civic landmark — features a public Gathering Space that combines a coffee shop, record store, and live performance venue alongside its open-view DJ booth.

Translating a high-touch, human-centered physical experience into new markets is a core priority for the station: KEXP recently hired its first chief product and technology officer, former SiriusXM and Nordstrom executive Jyoti Shukla, to build digital products and physical spaces that intentionally prioritize human music curation over AI algorithms.

In a post on LinkedIn, KEXP CEO Ethan Raup said the response to the station’s arrival in the Bay Area “has been nothing short of remarkable” and that it gave KEXP “the confidence to start planning for our next big step.”

In its post on Thursday, KEXP stressed the plans are “not a done deal yet.” Over the coming months, SF Heritage, KEXP, and Blue Bear School of Music will focus on gathering community feedback, finalizing an adaptive reuse plan, and determining construction feasibility and project financing.

KEXP and Blue Bear representatives will make their first public outreach push at the Haight Ashbury Street Fair on Sunday to share more about the proposed project.

In a cramped corner workspace in a mechanical engineering building at the University of Washington, a team of students is working to harness the power of the sun.

They operate on a fraction of the budget of elite international programs, fitting build hours around class schedules and other extracurriculars. Yet this summer, the scrappy crew took their handmade, solar-powered car — dubbed Sakura — out of the shop and onto the open road.

Over seven days in July and 1,778 miles from Minnesota to Texas, they outpaced nearly every competitor to finish fourth overall and cross the line as the top-ranking American team in the American Solar Challenge.

Now entering its fourth year, the Solar Vehicle Team at UW (SVTUW) is still a relative newcomer to collegiate solar racing. Officially affiliated with the university’s Mechanical Engineering Department, the roughly 50-person group has evolved into a broader interdisciplinary effort spanning electrical engineering, computer science, business, aerodynamics, and more.

Operated entirely by undergrads, the club handles every aspect of the operation in-house — from sponsor outreach and logistics to hands-on fabrication.

While top international competitors rely on multi-million dollar budgets and years of development, the Huskies assembled their vehicle (named after the Japanese word for cherry blossom) in just 11 months — a lightning-fast turnaround for a machine built entirely from scratch.

For team president Rudy Heredia-Jantz, an electrical and computer engineering senior, even making it to the starting line felt like a triumph.

“Frankly, we have no idea [how we pulled it off],” Heredia-Jantz said. “This car — it was a little bit of a miracle. We did not have it up and running until the day before we left for competition. We didn’t even have it moving. We just spun the rear motor, threw it in the trailer, and figured we’ll blow something up eventually.”

Things did indeed blow up — 12 tires in total along the way — but the Huskies kept rolling. For a third-year program competing against seasoned international juggernauts, simply keeping the car on the road was an achievement; outpacing them was a statement.

UW didn’t just survive the route to Texas — they blew past expectations for a young club, clinching the Aesthetics Award and Spirit of the Event Award alongside their top-four finish.

For second-year mechanical engineering student Elijah Yan, who serves as the team’s mechanical lead, the learning curve was immediate.

“Building a car is just not something I’ve done before, so it’s very new to me, and it’s super cool to learn that type of stuff — suspension stuff, how to do vehicle dynamics,” Yan said.

That hands-on engineering paid off when Sakura hit highway speeds on open pavement. Designed to maximize efficiency, the ultra-lightweight vehicle — weighing roughly 500 pounds with a driver inside — stretches 19 feet long to fit its array of solar panels while keeping its profile as narrow as possible.

Under the hood, Sakura is a blend of precision engineering and strict energy conservation:

• Solar array: 386 Maxeon Gen 7 photovoltaic cells covering six square meters, producing up to 1,540 watts of max power output directly from sunlight.
• Battery pack: A student-built 5.125 kWh lithium-ion battery in a 36S9P cell configuration (121V nominal), supplemented by a secondary backup battery used solely for system startups.
• Drivetrain and motor: Powered by a 2 kW Mitsuba 2096-III hub motor capable of pushing the 500-pound vehicle up to 65 mph on open highways.
• Data and cockpit: A custom steering wheel equipped with push-to-talk comms, digital telemetry displays, and regenerative braking controls, paired with an onboard Samsung Galaxy smartphone that streams real-time battery and motor analytics back to the pit crew.

To pull off a competitive build on a shoestring budget, the team combined its resourcefulness with local industry support. The vehicle’s lightweight frame, for instance, relies on carbon fiber sandwich panel flooring donated by Boeing, held together with specialized fiberglass tape.

“It’s the perks of being a Seattle-based team — we work with some amazing materials,” Heredia-Jantz said.

Yet even with aerospace-grade composites, bringing a prototype car across the finish line required plenty of improvised shop hustle.

“The car is held together with cardboard and duct tape, essentially,” Yan joked.

And managing the technical hardware on the road is as much a game of data processing as it is driving.

During the race, a dedicated strategy team monitors Sakura‘s health in real time. Using a custom dashboard that feeds off the onboard smartphone’s data stream, students track battery state-of-charge, individual array voltages, and motor temperatures from a trailing support vehicle.

By pairing live telemetry with incoming weather forecasts, the crew calculates optimal cruise speeds on the fly — relaying instructions to the driver via walkie-talkie so they can balance energy consumption, leverage regenerative braking, and avoid tripping the battery’s protection systems on steep climbs or hard accelerations.

That real-time power management was also put to the test right before the cross-country journey, when the team competed in the Formula Sun Grand Prix — an annual three-day track race where cars run on a single initial charge and whatever sunlight they can harvest along the way. Despite navigating a track that pushed their power distribution system to its limits, the track time gave the team crucial baseline data and momentum before taking on the road race.

Now the club is already preparing for its next evolution. While repairing Sakura for upcoming competitions, students are designing their next-generation vehicle from scratch — overhauling power distribution, reinforcing the chassis, and building a new solar array.

For a club building sun-powered technology in a city known for grey skies, the project is ultimately driven by something deeper than weather.

“I believe this team is building something special in the early morning hours on UW’s campus: talent that shows up before sunrise, a refusal to wait for better resources before doing great work, and a stubbornness that looks a lot like faith,” said Caoilin Krathaus, the team’s administrative lead. “It reminds me of the story behind Boys in the Boat, and what I’ve always thought of as the true Husky experience.”