Despite the wide variety of fabrics used for our clothing, they all share the property of not being living tissues. This could be due to them never having been part of an organism, or having been removed from said organism. Another approach here entails so-called engineered living materials (ELMs), with a recent research article by [Ke Li] et al. in Science Advances providing a good example of a fungal platform for such living textiles.

Although it may seem frivolous to create something like this, the direct benefits would be to have a fabric that can self-heal and respond to its environment, including blocking UV radiation and changing its coloring through pigmentation.

The research demonstrated in this paper covers essentially a platform for creating a living textile that can be adapted to a wide variety of applications and colorizations. Of note is that the researchers have not yet tested aspects like washability, abrasion resistance, breathability and wearer comfort, so this should definitely be regarded as setting the stage for more research.

For the basic material the fungi Cordyceps militaris was chosen, which were subsequently placed between films. To this additional microbial cultures were added, including the pigment-producing S. cerevisiae and melanized A. niger for UV blocking.

As for what it can look like with clothing, this article at De Zeen gives somewhat of an idea, as well as how the living textile is prepared.

Fashionistas of a certain age no doubt remember the late designer Stephen Sprouse, who gave Blondie's Debbie Harry her distinctive Bowery punk style. Sprouse's first collections in the mid-1980s made a major splash, melding graffiti prints, a playful '60s aesthetic, and bright Day-Glo colors that won admirers such as Andy Warhol.

Several examples of Sprouse's work are preserved in the textiles collection of the Indianapolis Museum of Art at Newfields, where conservationists are trying to learn more about the phosphorescent and fluorescent pigments the designer used in his creations in order to keep the colors from dulling over time. They described recent advances in that research at a meeting of the American Chemical Society (ACS) held this week in Chicago.

Scientists began describing minerals that glowed in the dark as phosphors in the Middle Ages. Typically, such materials take on a charge when exposed to light, storing the absorbed energy and releasing it gradually as re-emitted light. Henri Becquerel discovered radioactive decay in 1896 because of his work with phosphorescent uranium salts: He left the salts in a closed drawer with photographic plates, which fogged up even without a light source. DayGlo paints and similar materials exploit the related phenomenon of fluorescence. DayGlo pigments fluoresce in daylight by essentially converting UV light into visible light to produce brighter, more vibrant colors.

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