San Diego Comic-Con has kicked off strong, and we've got a couple of new trailers to show for it: the final trailer for Coyote vs. Acme, and the full trailer for director Zach Cregger's fresh take on Resident Evil. Some lucky folks were also treated to a screening of Resident Evil's first 18 minutes.

Coyote vs. Acme

We were thrilled when the first trailer for Coyote vs. Acme dropped in April. The film had been shelved for years and is finally getting the broad theatrical release it deserves thanks to Ketchup Entertainment, which acquired it from Warner Bros. The concept alone is sheer brilliance: Wile E. Coyote, after decades of ACME equipment failing him in his efforts to catch that darned Road Runner, decides to sue the corporation. It’s based on a well-known satirical piece by Ian Frazier (also titled “Coyote vs. Acme”) published in The New Yorker in 1990.

Per the official premise:

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The San Diego Comic-Con kicks off tomorrow, and DC Studios and Warner Brothers are setting the stage by dropping the first full trailer for Clayface, part of the DC Universe's "Gods and Monsters" arc.

The film started out as a Mike Flanagan project (he's the horror master who brought us The Haunting of Hill House, The Fall of the House of Usher, Midnight Mass, and Doctor Sleep, among other creepy delights). Flanagan said he was inspired by the 1992 "Feat of Clay" episode in Batman: The Animated Series, aspiring to create a film that combined body horror with a tragic thriller. DC Studios CEOs James Gunn and Peter Safran loved Flanagan's pitch and brought the movie into their rebooted DCU.

Alas, Flanagan had to bow out of the project due to scheduling conflicts—he's a busy man these days—and James Watkins stepped in as director. But Gunn has said the final script retained Flanagan's original story, with Hossein Amini doing some rewrites. The film will feature the origin story of the Matt Hagen incarnation of Clayface, introduced to the DCU in the animated Creature Commandos series (Alan Tudyk voiced the character). Per the official premise:

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The Odyssey might be cleaning up at the box office at the moment, but in two weeks another mega-blockbuster hits theaters: Spider-Man: Brand New Day, directed by Destin Daniel Cretton (Shang-Chi and the Legend of the Ten Rings). Sony Pictures dropped one last trailer for this follow-up to 2021’s No Way Home, which is purportedly intended to launch a fresh trilogy of films with Tom Holland in the title role.

No Way Home ended on a pretty bleak note, with Peter Parker (Holland) asking Doctor Strange (Benedict Cumberbatch) to erase him from everyone’s memory to protect the multiverse, including his girlfriend MJ (Zendaya). Per the official synopsis:

It’s a Brand New Day for Peter Parker. Fighting crime full-time as Spider-Man in a world that doesn’t remember him—and the pressure of seeing his old friends move on without him—sparks a change in Peter he may not have the power to control. But that transformation might also be the only thing that can stop a shocking new threat to the city and those he loves–a powerful villain no one can even see. The world may have forgotten Peter Parker, but he hasn’t forgotten them.

Holland is reprising his role as Peter Parker/Spider-Man, along with Zendaya as MJ and Jacob Batalon as Peter’s former bestie Ned Leeds. The film also features Jon Bernthal as Frank Castle/Punisher, Mark Ruffalo as Bruce Banner/Hulk, Michael Mando as Mac Gargan/Scorpion (captured by Spider-Man in Homecoming), Marvin Jones III as albino crime lord Lonnie Lincoln/Tombstone, Charlie Cox as Matt Murdock/Daredevil (briefly Peter’s lawyer in No Way Home); Liza Colon-Zayas as detective Jean DeWolf; Eman Esfandi as MJ's new boyfriend; and Trammell Tillman as Bill Metzger of the Department of Damage Control (DODC) who is policing superpowered individuals.

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When Mount Vesuvius erupted in 79 CE, it spewed molten rock, pumice, and hot ash over the cities of Pompeii and Herculaneum, killing thousands of people. It's one of the most famous natural disasters in human history, so naturally there have been countless documentaries about Pompeii (and at least one popular song). But only one features actor Tom Hiddleston taking on the role of a "time detective" to bring the people of Pompeii to vivid life. That would be National Geographic's new three-part docuseries, Pompeii: Out of Time.

The Marvel connection made Out of Time happen. Executive producer Kevin Wright was also a producer on the Disney+ series Loki, which included a scene where Hiddleston's Loki travels through time to visit Pompeii. Hiddleston also studied classics at Cambridge University and had visited the Pompeii archaeological site as a teenager, which the Marvel star attributes to indirectly influencing his career path into acting.

"There is just a passion to the way Tom tells stories that's infectious," Wright told Ars. "We knew that if we could capture that and put it into [the series], it might interest people who wouldn't normally want to watch a documentary about Pompeii. "

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With San Diego Comic-Con kicking off later this week, Marvel Studios has released the first official full trailer for Avengers: Doomsday, the penultimate film in the MCU's Phase Six and the end of the so-called "Multiverse Saga."

(Spoilers for prior relevant MCU films below.)

Marvel Studios originally planned to build its Phase Six Avengers arc (The Kang Dynasty) around Jonathan Majors’ Kang the Conqueror (and associated variants), introduced in Loki and Ant-Man and the Wasp: Quantumania. But then Majors was convicted of domestic violence, and Marvel fired the actor soon after. That meant the studio needed to retool its Phase Six plans, culminating in the announced return of the Russo brothers, who directed four of the Marvel Cinematic Universe’s most successful films, which brought in more than $6 billion at the global box office.

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Kalshi is a high-tech prediction market that allows people to "forecast the future" (their term). It is about contracts and information, the company says, making its offerings more like a soybean futures contract than a round of blackjack or a pull on the one-armed bandit.

Still, prediction markets look a lot like betting if you squint, which is why states like New York have tried to regulate them under gambling laws. To head this off, Kalshi has sought federal protection under the Commodity Futures Trading Commission (CFTC). Yes, this means regulation for Kalshi, but it also means the CFTC will sue states like Kentucky, Minnesota, Illinois, and Rhode Island, trying to pre-empt their laws in favor of a single national standard that the CFTC controls.

While this battle plays out, government insiders continue to generate insider trading stories after using their work knowledge to place bets "forecast the future" and make huge sums of money. The classic example, of course, was Gannon Ken Van Dyke, a US soldier who participated in planning the capture of Venezuela's Nicolas Maduro and then made $410,000 from that knowledge on the prediction site Polymarket. Van Dyke was arrested in April.

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Jurassic Park, while beloved as a film, has been the subject of snarky memes for the infamous line in which one of the characters declares, "This is a Unix system, I know this!" while using a computer with an unusual 3D file manager interface.

Despite the memes, the film's production team was meticulous in accurately sourcing the right PCs (and adjacent details) for the sets—not too much of a surprise, given writer Michael Crichton's background with computing and his obsessive attention to detail in the book the film is based on.

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New Zealand actor Sam Neill, who starred as Dr. Alan Grant in the 1993 blockbuster Jurassic Park and its 2022 sequel, Jurassic World Dominion, died on Monday in Sydney, Australia. He was 78.

While American audiences likely know Neill best for Jurassic Park, he had a long and varied career in film and television. His sheer versatility won him fans around the world. He played the grown Damien in Omen III: The Final Conflict; a Russian officer in The Hunt for Red October; and even made brief cameos (as an actor playing Odin in a theatrical troupe) in Thor: Ragnarok and Thor: Love and Thunder. (The less said about 1997's space horror travesty, Event Horizon, the better, although it has its fans, and Neill made the most of his role.) Yet some of his best performances were in smaller, critically acclaimed independent films such as 1993's Oscar-winning The Piano.

On television, Neill earned his first Golden Globe nomination for the lead role in Reilly, Ace of Spies in the 1980s. He was nominated for both an Emmy and a second Golden Globe for playing the titular Arthurian wizard in the 1998 miniseries Merlin. He played Cardinal Wolsley in The Tudors, and was part of the ensemble cast in the (excellent) 2015 adaptation of Agatha Christie's And Then There Were None. Neill was magnetic as the ruthless CI Major Chester Campbell in Peaky Blinders—an antagonist and romantic rival of Cillian Murphy's Tommy Shelby.

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When Warner Bros. showed new footage of its forthcoming satirical black comedy, Digger, at Cinemacon in April, industry insiders considered it a highlight of the event. The general public hasn't seen anything other than a title announcement and a teaser in May that largely provided a retrospective of star Tom Cruise's career, with just 30 seconds of footage from Digger tacked on at the end. But now we have the official trailer, and it certainly lives up to that earlier enthusiastic word of mouth. We're getting powerful Dr. Strangelove vibes, updated for our 21st-century times.

Digger is four-time Oscar-winning director Alejandro G. Iñárritu's (Birdman) first English-language film since 2015's The Revenant. The official logline is short and sweet: "The most powerful man in the world races to prove he's humanity's savior before the disaster he unleashed destroys everything." That disaster appears to be ecological in nature and involves a rapidly melting iceberg, as well as some nuclear waste.

Cruise is often at his best when he takes big creative swings and plays against type—the rage-fueled motivational speaker in Magnolia, for instance, or the over-the-top movie mogul in Tropic Thunder. He's almost unrecognizable in this new trailer as eccentric billionaire oil baron Digger Rockwell—wispy hair, potbelly, and all.

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The same question drives both the plot of Moana and decades of archaeological research: Why, after centuries of relative stability, did Polynesian voyagers suddenly begin settling islands thousands of kilometers away across the Pacific?

The latest Moana movie is a live-action adaptation of a Disney animated movie of the same name. While the films are fictional, they draw inspiration from the rich seafaring heritage of Polynesian peoples, whose ancestors undertook one of the greatest episodes of maritime exploration in human history.

New climate evidence may help us understand why they embarked on these voyages.

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We haven't seen much footage to date for Denis Villeneuve’s Dune: Part Three, other than the broody and haunting extended teaser Warner Bros. dropped in March. But now we've got a shiny new trailer jam-packed with tantalizing hints of what to expect, and plenty of Easter eggs to delight avid book fans.

(Spoilers for first two films in the franchise below.)

As previously reported, in 2021’s Dune, we first met Frank Herbert’s iconic anti-hero, Paul Atreides (Timothée Chalamet). That film culminated in the brutal defeat of House Atreides by rival House Harkonnen, with Paul and his mother, Lady Jessica (Rebecca Ferguson), fleeing to the desert and taking refuge among the Fremen. Among them is Chani (Zendaya), whom Paul has been seeing in visions all along.

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Ivy League college students are, by definition, intelligent. They don't need to use generative AI to cheat on exams; they could just learn the material. But they also tend to be competitive, ambitious, and overscheduled, so AI can look like an easy shortcut that makes more time in their lives for things that can't be done by a chatbot. When the pressure is on, which approach do they choose?

A new scandal at Brown University reveals that huge numbers of these students are likely to cheat.

Record scores

A recent survey of Princeton students found that 29.9 percent admitted to cheating with AI on at least one exam or assignment. But the situation at Brown gives us a better sense of what this kind of cheating looks like in one particular class—and just how much it may be substituting for actual learning. And we know all this because the blind economics professor at the center of it all, Roberto Serrano, is not letting it go.

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Pour one out for Supergirl, the latest installment in the DCU's Gods and Monsters chapter, which has been beset by online troll attacks, mixed reviews, and a very disappointing opening weekend box office—not the outcome Warner Bros. was hoping for with this follow-up to last year's Superman. It's actually a pretty good movie, as such films go, but it's not a great movie. And in today's over-saturated superhero market, that's just not sufficient to get people out of their homes and into theaters, rather than waiting for the film to come to streaming platforms.

(Some spoilers below but no major reveals.)

The studio tapped Ana Nogueira to write the script, a holdover from the former DCEU plans for a standalone Supergirl film. (The character appeared in the finale of 2022's The Flash, played by Sasha Calle.) The project was reimagined when James Gunn and Peter Safran took over and launched the "soft reboot" DCU. Director Craig Gillespie (Lars and the Real Girl, I Tonya) signed on to direct.

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On a Sunday evening in the middle of Tompkins Square Park in New York City’s East Village, hundreds of people gather in front of a giant papier-mâché face of a woman wearing a crown. She’s the backdrop of a play, her body made up of curtains that look like a dress but serve a dual purpose, allowing actors to scurry on and offstage.

I’m here to watch a performance called “Luddite Recreations,” which is a history of the Luddite movement—a group of artisans and textile workers who resisted the adoption of machines during the early years of the Industrial Revolution in England and whose resistance to being displaced from their work was met with violence by the British monarchy.

It’s one of the opening events of the Summer of Ludd, a weeklong series of talks and activities like how to flirt and date offline, mending, and learning to fight against data centers, all focused on getting people off their phones and into community.

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The last time America celebrated a big anniversary, I was all of three years old. Even so, I retain a few fuzzy memories from a sunny summer afternoon in small-town Michigan: climbing on a cannon in front of the courthouse, watching a parade, and seeing my dad, a veteran and Centreville city councilman, giving a short talk about democracy.

Only later would I realize the significance of the date: July 4th, 1976, America’s bicentennial.

America was imperfect and inconsistent in its approaches to "freedom," but the country had done some big, difficult things in recent decades. We had led the charge to roll back the tide of fascism and Holocaust during World War II. We had begun to confront internal demons through the nonviolent activism of the civil rights movement. And, critically for my own life trajectory, we had landed on the Moon.

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Having a computer strapped to my face for 40 minutes was one reason to feel a little sweaty. But the tour of the Universe I had just received in virtual reality—including visits to the near vicinity of the Sun, the giant black hole at the center of our galaxy, and a hellscape of an exoplanet 41 light-years distant—provided another excuse for sensing some heat.

Smithsonian Starstruck: An Immersive Experience is a 40-minute astronomy walk-through. It debuted in Washington, DC, in May with solo adult tickets now ranging from $29 to $35 and group tickets for four or more starting at $18 each (all now discounted by 15 percent); it will also open in Denver, Orlando, Florida, and San Antonio, Texas, later this year. I stopped by on a Monday in June to take it in.

After some onboarding that included setting such preferences as closed captioning and signing a waiver, I had enough time to sit on a bench next to the exhibit space (which has hosted other VR experiences) to enjoy watching another attendee with a VR headset blurt out, “Oh my God!”

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